Danish National Philharmonic Orchestra / Sønderjyllands Symfoniorkester
Alsion 2, 6400 Sønderborg
Shostakovich composed his two cello concertos for his friend, the cellist and conductor Rostropovich. The virtuoso 1st and the introverted 2nd Rostropovitch had an international career, and great influence also on a violinist like Anne-Sophie Mutter. And here a connection was made: There is a direct line from Shostakovich to the cellist Daniel Müller-Schott, even though he was born the year after his death. Because through Anne-Sophie Mutter, Müller-Schott became a pupil of Rostropovitch. Not so that he could trudge to a classroom and play, no, he said when he was in Copenhagen a few years ago: Müller-Schott traveled after Rostropovich, because the master could think of calling late in the evening - and that was it to strike. You can imagine it, the young German and the old Russian in a hotel room in Germany somewhere... At the age of 15, Müller-Schott won the fine Tchaikovsky competition for young musicians in Moscow, and with his talent and good teachers, there was no long before he played with great orchestras and fine musicians; the list is long. Müller-Schott has also taken an interest in premiering new works for cello, and working with other art forms, in what seems like an eternal curiosity.
🕒 Approx. 2 hours with a break
M. Glinka: Overture to Ruslan and Lyudmila
D. Shostakovich: Cello Concerto No. 1
PI Tchaikovsky: Symphony No. 1
Alevtina Ioffe
Daniel Müller-Schott, cello